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INSTRUCTIONAL VIDEOS

CLASSICAL PIANO VIDEO LIBRARY
Introduction & Technique

Berkeley Role of the Fingers
11:51
Berkeley Bach
11:56
Berkeley Debussy Video
10:57
Berkeley Chopin Etude 10
06:56
Berkeley Role of the Thumb
07:07
Playing fast, comfortable broken octaves with Edna Golandsky: Beethoven Pathetique opening.
04:55
Introduction to the Taubman approach - My personal story
17:56
Instructional video with Edna Golandsky: Relationship of technique to craft of music making
00:51
Q&A2. How much do the fingers move when we rotate?
06:45
Edna Golandsky: Single Rotation in Chopin etudes, "Winter Wind" and "Black Key" etudes
05:19
Schumann Symphonic Etudes No.3 Evenness and accent on the thumb
08:06
Edna Golandsky: Alberti bass
03:07
Edna Golandsky: Playing scales with the Taubman Approach and the process of minimising.
14:25
Q&A3. What causes some fingers to feel weak
10:34
Q&A1. Basic balance and rotation in ascending and descending 5 fingers
09:46
Edna Golandsky: Playing scales with the Taubman Approach and the process of minimising.
14:25
Masterclass at DPA, London – UK Arpeggios and Scale Crossings
26:19
Instructional video with Edna Golandsky: Trills
04:36
Trills and broken octaves with Edna Golandsky.
05:18
Edna Golandsky discusses: Left hand arpeggios in Granados' Epílogo, de Las Escenas Románticas
07:56
Edna Golandsky discusses RH arpeggios in Mendelssohn Etude in Bb minor, Op 104 No 1
15:31
Edna Golandsky discusses RH arpeggios in: Beethoven Op 27 No 2, 3rd movement
11:56
Edna Golandsky: Chopin Etude Op 25 no 12 (Brisbane Taubman workshop, Jan 15)
09:14
Chopin Etude Op.25 no.2 m.7 / 5th finger at the end of the arpeggio feels weak
03:48
Edna Golandsky demonstrates arpeggios part 3: Chopin "Winter Wind" etude
06:40
Edna Golandsky: Playing arpeggios.
11:11
Instructional video with Edna Golandsky: Moonlight sonata excerpt
02:09
Playing fast repeated notes with ease in Scarlatti's d minor sonata: Part 1.
03:15
Edna Golandsky analyses excerpts from Beethoven's Spring Sonata for violin and piano
03:02
Beethoven Sonata Op.2 No.3 Last Movement/m.28-30 Left Hand Shaping and Grouping
04:07
Edna Golandsky discusses playing in slow tempi: Chopin C# minor nocturne Part 2
04:02
Edna Golandsky discusses playing in slow tempi: Chopin C# minor Nocturne 3/4
01:44
Playing fast, comfortable broken octaves with Edna Golandsky: Beethoven Pathetique opening.
04:55
Trills and broken octaves with Edna Golandsky.
05:18
Instructional video with Edna Golandsky: Octaves without stretching
09:21
Instructional video with Edna Golandsky
03:31
Working with an injured pianist: How to connect the fingers to the hand and forearm?
11:31
Injuries - Taubman Approach
02:48
Edna Golandsky discusses Chopin Etude Op 25 No 2, left hand.
04:36
How to avoid stretching on Chopin Waltz Op.18 m.5-8 (rotation&shaping)
05:04
Edna Golandsky: Chopin Etude Op. 10 no 9 (from Brisbane Taubman workshop, 2015)
02:30
Edna Golandsky: Chopin Op 25 no 5 (from Brisbane Taubman workshop, Jan 2015)
10:13
Beethoven Piano Concerto No.1 2ND Cadenza & Brahms Op.116 No.2
03:12
Q&A from Forum Musikae Madrid 2019.
05:31
Instructional video with Edna Golandsky: Brahms Op. 118 no 2
03:36
Edna Golandsky: Chopin Etude Op 25 no 3 (Brisbane Taubman workshop, Jan 15)
04:29
Q&A 4. Beethoven Sonata op.2-3 / 1. Mov. /M.96~
04:50
Edna Golandsky analyses excerpts from Beethoven's Spring Sonata for violin and piano
03:02
Instructional video with Edna Golandsky: staccato playing
02:02
Chopin Etude Op.10 No.4 Interdependence of the hands / broken chords
02:45
Instructional video with Edna Golandsky: separate hands, multi-tasking
03:19

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